Print has traditionally been a process of multiples but in my practise the work sits outside the traditional idea of prints as being an edition of near identical images, from a single matrix. In ‘Outsourcing’ editions are variable, both in colour and in some cases the arrangement and rearrangement of pattern pieces, reflecting the ‘blocks’ of the fashion industry in a new construct of old garments. The works record the disintegration of the materials of the printing plates, once a living skin degrading and decomposing, like the cast off clothes we consider imperfect or unfashionable.
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